I was in an open carriage with Madame Royale by my side, [140] MM. de Cond were opposite; my brother and the Duc de Berri rode by us ... the Duc dAngoulme was still in the south.... I saw nothing but rejoicing and goodwill on all sides; they cried Vive le Roi! as if any other cry were impossible.... The more I entreated Madame Royale to control her emotion, for we were approaching the Tuileries, the more difficult [474] it was for her to restrain it. It took all her courage not to faint or burst into tears in the presence of all these witnesses.... I myself was deeply agitated, the deplorable past rising before me.... I remembered leaving this town twenty-three years ago, about the same time of year at which I now returned, a King.... I felt as if I should have fallen when I saw the Tuileries. I kept my eyes away from Madame Royale for fear of calling forth an alarming scene. I trembled lest her firmness should give way at this critical moment. But arming herself with resignation against all that must overwhelm her, she entered almost smiling the palace of bitter recollections. When she could be alone the long repressed feelings overflowed, and it was with sobs and a deluge of tears that she took possession of the inheritance, which in the natural course of events must be her own.
FORE:Mme. de Tess had managed to preserve part of her fortune and was comparatively well off. She had more than once suggested that her niece should come to her, but Pauline would not leave her husband and father-in-law as long as she was necessary to them. Now, she saw that it would, as they were in such difficulty, be better to do so. Mme. de Tess, suspecting that her niece was much worse off than she would tell her, sent her a gold snuff-box that had belonged to Mme. de Maintenon, which she sold for a hundred pounds. M. de Montagu decided to ask for hospitality with his maternal grandfather, the Marquis de la Salle who was living at Constance, and M. de Beaune said he would find himself an abode also on the shores of that lake.The last time Marie Antoinette ever sat to her was at Trianon, when she painted her head for the great picture in which the Queen is represented with her children, the first Dauphin, [20] Madame Royale, [21] and the Duc de Normandie, [22] which was [48] hung in the Salon of 1788, and excited universal admiration. It was afterwards taken to Versailles and hung in one of the salons through which the Queen always passed on her way to mass.
100 GB
THREE:Those who had dreaded the summoning of the States-General at a time when the public were in so inflamed and critical a state, were soon confirmed in their opinions by the disputes between the three orders, and the general ferment. Disloyal demonstrations were made, the King sent for more troops and dismissed Necker, who, like La Fayette, was unable to quell the storm he had raised; everything was becoming more and more alarming. Just before the fall of the Bastille, Pauline, who was not well at the time, was sent to Bagnres again, where, after stopping at Toulouse to see her little orphan niece Jenny de Thsan, she arrived so dangerously ill that she thought she was going to die, and wrote a touching letter to her sister Rosalie, desiring that her children might be brought up by Mme. de Noailles, but commending them to the care of all her sisters.
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THREE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.
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TWO:At eleven years old Lisette was taken from the convent to live at home, after having made her first Communion. She had so outgrown her strength [18] that she stooped from weakness, and her features gave at present little promise of the well-known beauty of her after-life. Her brother, on the contrary, was remarkably handsome, full of life and spirits, distinguished at his college by his talents and intelligence, and the favourite of his mother, while the fathers preference was for the daughter whose genius was his pride and delight, and to whom his indulgence and tenderness made up for the strictness or inequality she observed in the dealings of her mother with her brother and herself. Speaking in her Souvenirs [10] of her deep affection for her father, she declares that not a word he ever said before her had she forgotten.Mme. Le Brun blamed her for having let the gold go, and just as she said, she never got its value again, for although the same number of pieces were [132] returned, instead of the Austrian gold coins they only gave her ducats, worth so much less that she lost 15,000 francs by them. Then she heard that the boy was sentenced to be hanged, and as he was the son of a concierge and his wife belonging to the Prince de Ligne, excellent people who had served her in Vienna with attention and civility, she was in despair, hurried to the governor to obtain his pardon, and with much difficulty succeeded in getting him sent away by sea; for the Empress had heard of it, and was very angry.
Mme. du Deffand then occupied one in another [366] part of the building, but at that time they had no acquaintance with her. The philosophers and the atheistic set had never at any time in her life the least attraction for Flicit, who held their irreligious opinions in abhorrence.A curious story is told, that at the time when Louis XIV. was building the palace of Versailles, his then all-powerful mistress, Mme. de la Vallire, said to him that he must, according to the custom, have the horoscope cast of the palace. He laughed at her superstition, but told her he would leave the matter to her. She accordingly consulted an astrologer, who said, After a hundred years the kings of France will leave Versailles.The last time Marie Antoinette ever sat to her was at Trianon, when she painted her head for the great picture in which the Queen is represented with her children, the first Dauphin, [20] Madame Royale, [21] and the Duc de Normandie, [22] which was [48] hung in the Salon of 1788, and excited universal admiration. It was afterwards taken to Versailles and hung in one of the salons through which the Queen always passed on her way to mass.In the fearful tragedy of the French Revolution, as in many earlier dramas in the history of that nation, one can hardly fail to be struck by the extreme youth of many, perhaps most, of the leading characters, good or bad. And the hero and heroine of this act in the revolutionary drama were young, and both remarkable for their beauty.Then you know Mme. Le Brun very well, Monsieur?